Ax - Metal Forest![]() Metal Forest dips into his Freek Label releases compiling tracks from Nova Feedback, Ax II and Astronomy. Dispensing with any chronological order Metal Forest kicks off with 'Kortex' the sole contribution culled from Astronomy, the final Ax release. It's a strong opener with pummelling distorted throbs over hiss, generating atmospheric noise with a slow build up of fuzzy bass tones. The rhythms dissipate for 'Nova Feedback 1' as it unwinds to waves of shape-shifting noise and blackened textures. It cuts to the harsher, analogue synth wizardry of 'Heavy Fluid'. With vibrating, hums of low end tones and occasional blast of guitar atmospherics shot through with sporadic feedback squeals and jolts of percussive clatter it's a bit of a slow-burning monster. You can even hear the influence of Skullflower seeping in. 'Theme One', on the other hand, is a blistering wall of shredded psych noise. While 'Theme One's is dense and abrasive, 'Metal Forest' opts for something much more cavernous, with its washes of guitar destruction. With scraping guitar distortion, wrestling with reverbed analogue electronics of the dark ambient type it sounds like a collision between Skullflower and Lustmord. The first of the Ax II tracks offer something harsher with wavering tones wrestling with frequency shrieks, which at points are almost like sci-fi effects. Underneath lurks abrasive engine-like noise. Just as the careering waves are more akin to the atmospheric psych noise drift of C.C.C.C., the second cut from Ax II resembles a noisier Lustmord, with a scorching blackened hum caught in a blizzard of atmo-noise. The second cut from Nova Feedback, 'Nova Feedback 2', clutches at the tail end of feedback vapour trails, while the careering guitar emissions are sucked forward and repeated into something sounding like a soundtrack to a b-movie sci-fi flick. The final track, 'Cluster' arrives fully formed as a buzzing static drone. There's less variation here as it obsesses on a meditating riff, its buzzing chords recalling a more focussed Skullflower, maybe. It's one that certainly hits the spot anyway. Centring their sound around blackened atmospheres, guitar noise and distortion it seems Ax were way ahead of the pack, with this collection of inventive noise tracks originally released during the mid-nineties. Noise fanatics and Skullflower and Ramleh listeners who missed out on these Ax releases first time around, really won't want to miss Metal Forest, as it's a stunning entry into the noise field. And with Ax recently making their live debut let's hope that there's more solo releases to come. For more information go to www.coldspring.co.uk |