Sieben - The Line and the Hook The Line and the
Hook is the second full-length release from Sieben, a duo
consisting of Matt and Jane Howden. Matt Howden is perhaps the
most prolific artist currently residing on the World Serpent
roster. Aside from Sieben, Matt Howden is a solo artist;
violinist and producer for Sol Invictus; studio svengali of his
own Redroom studio. The Line and The Hook forsakes much of
the ethereal sound of Sieben's acclaimed debut, Forbid The
Sun's Escape, recorded as a trio with Sally Doherty (of the
Sumacs, and Sol Invictus) for a darker more aggressive sound
based around solid bass throb and passionate drumming. Yet it's
Howden's layering of additional instruments that makes The
Line and the Hook so compelling; the soaring and surging
violin, sweeping strings and upfront vocalisations paired with
Jane's softer voice. Howden excels as a composer and The Line
and The Hook slips effortlessly from intensity to something
more atmospheric and restrained. The overall tone is sombre and
melancholic reflecting the album's war based theme. 'Christmas
1914' is particularly poignant with lyrics culled from an
anthology of poetry from his father, or
'Völkerschlachtdenkmal' which draws its inspiration from the
battle monument in Leipzig, while 'Northern Lights' reflects the
impermanence of life. The Line and The Hook, like the
reappraisal of 'Second Witchwords' from Forbid The Sun's
Escape, is a hugely moving and passionate piece of work that
really does deserve your attention. Compulsion online
interviewed Matt Howden
when his first solo album Intimate and Obstinate was
released. For more information contact www.matthowden.com |

The Line and the
Hook is the second full-length release from Sieben, a duo
consisting of Matt and Jane Howden. Matt Howden is perhaps the
most prolific artist currently residing on the World Serpent
roster. Aside from Sieben, Matt Howden is a solo artist;
violinist and producer for Sol Invictus; studio svengali of his
own Redroom studio. The Line and The Hook forsakes much of
the ethereal sound of Sieben's acclaimed debut, Forbid The
Sun's Escape, recorded as a trio with Sally Doherty (of the
Sumacs, and Sol Invictus) for a darker more aggressive sound
based around solid bass throb and passionate drumming. Yet it's
Howden's layering of additional instruments that makes The
Line and the Hook so compelling; the soaring and surging
violin, sweeping strings and upfront vocalisations paired with
Jane's softer voice. Howden excels as a composer and The Line
and The Hook slips effortlessly from intensity to something
more atmospheric and restrained. The overall tone is sombre and
melancholic reflecting the album's war based theme. 'Christmas
1914' is particularly poignant with lyrics culled from an
anthology of poetry from his father, or
'Völkerschlachtdenkmal' which draws its inspiration from the
battle monument in Leipzig, while 'Northern Lights' reflects the
impermanence of life. The Line and The Hook, like the
reappraisal of 'Second Witchwords' from Forbid The Sun's
Escape, is a hugely moving and passionate piece of work that
really does deserve your attention. Compulsion online
interviewed